I keep finding things to do that aren’t Thousand Sons, which is weird because I’m quite enjoying the process of (extremely slowly) painting my Thousand Sons. I’ve liked the Chaos Sorcerer Lord for a while and ended up picking up the model at the same time as the Disciples of Tzeentch book. The new rules allow me to include him in a dedicated Tzeentch force while taking advantage of all of the allegiance abilities, and his buff spell will be extremely useful as I start to add melee units like Tzaangor to my army.
Given that I’m never going to use him without the ‘Tzeentch’ keyword, I wanted to do something with the model to tie him into the rest of my force. I ended up building him a new shoulder-joint with green stuff so that I could re-pose his right arm. The fireball is taken from one of the optional Herald on Burning Chariot pieces, with the Herald’s hand clipped and filed away and smoothed with more green stuff. The bundle of scrolls is also from the Burning Chariot kit – it’s really useful for that sort of thing. I like how it has turned out: I think of him as drawing power down from his patron – a gigantic Lord of Change that I’m going to start work on in the coming months.
I’ve also changed the way I paint bases. When I started with the Silver Tower models I consciously opted for very understated textured bases, but as time has gone on I’ve wanted to brighten them up and add a little flare. I’m using more blue and I’m now painting the trim with Incubi Darkness (a very dark blue-green – darker than it appears here). Eventually I’ll go back over the bases I’ve already done to make them consistent, but the effect is subtle enough that this guy doesn’t look out of place as he is.
He is standing on a rock because he is important.
A quick one-off: objective markers for my Tzeentch army. They’re based on a Dark Eldar Razorwing Flock, mounted on individual flying stems with little rocky monuments made out of slate. Instead of painting a number on each, I just changed the number of skulls. That’s how counting works in Warhammer.
I realised that I needed objective markers at the tournament in November, when one of my opponents had made really cool beastmen-themed totems to place around the battlefield. I liked the idea of auspicious birds as an indicator of Tzeentch’s interest.
And yes, I’m still finding ways to avoid working on that massive batch of Thousand Sons.
I’ve been turning over an idea for a Realm of Metal-themed Khorne army for a while. The short version: what if the labour force of a forge-city decided to stop digging ore out of mountainsides and start digging skulls out of their masters? Fire-blackened hands, scars, sweat, dark iron and bronze, blades glowing with the white-hot fury of the dispossessed. Full Khorneunism. All men are created to de-skull. Etc, etc. And what would that look like hundreds of years later, when the animus of that initial revolution has faded and all that’s left is blood for the Blood God, skulls for the Skull Throne, and so on, and so on?
Hence this guy. I’m not committing to painting that army just yet, but I wanted to put the idea into practice and see what it looked like. The full paintjob took a day and some of the blending is, I think, the best I’ve done. Shading bronze is tricky but I’m pleased with the muted, battered look: I think I ended up in a more Frazetta-ish place than the traditional bright red Khorne scheme allows.
It’s an extremely metal model for an extremely metal realm – a nasty bit of Khornate thrash as a break from the endless noodly prog of Tzeentch. Bonus fact: every single Khorne noun is an acceptable band name. Bloodreaver. Skull Cannon. Hell, if you give this guy his full name – Slaughterpriest with Hackblade and Wrath-Hammer – you get three band names.
Tom and I met up for another battle between his Stormcast and my Daemons of Tzeentch – a rivalry that began hundreds of years ago at the dawn of the Age of Sigmar by which I mean October. We chose to play ‘Gifts from the Heavens’ a matched play scenario where vital objectives ‘land’ on the battlefield at the beginning of each player’s second turn.
A relic-hunting Stormcast cohort has marched deep into the Realm of Death in search of something precious to the god-king: pure Sigmarite, fragments of the Old World that the seers say will fall from the heavens one this day, at this time, in this lonely ruin in the wastes of Shyish.
Unbeknownst to the Lord-Celestant, an old foe – a Gaunt Summoner of Tzeentch known as the Twilight Composer – has come seeking the same bounty for its own ends. As the Stormcast approach, a sandworn Realmgate flares to life and daemons pour forth from the iron plains of Chamon.
This was another really enjoyable battle with a great mid-game twist. I knew that Tom was holding the Retributors in reserve – he had taken the battalion that allowed him to do so – but their arrival was the moment this game turned. I had tried to screen them from ‘my’ Sigmarite shard with the Screamers, but couldn’t cover every angle. When they succeeded in that vital 9″ charge, I had a huge problem on my hands.
It happened at the right time. I did so much damage to the Judicators and Liberators in the first two turns that I thought that the game might simply be over, but this just serves to highlight how vital scenarios and objectives are to Age of Sigmar. What I should have done, in hindsight, is run the Gaunt Summoner over to the shard as soon as it appeared and summon a new Balewind Vortex there – I had the summoning budget to do so, but ended up trapped by the threat posed by the Lord-Celestant and Retributors on the ground. As soon as they got to the shard, I simply couldn’t shift them. Failing my own charges when I summoned that double wave of defenders was a death sentence – Tom ended up winning by a heavy margin, despite his losses.
Yet dice also provided a bunch of other great story moments: like the ever-regenerating horde of Horrors on the right flank, which only happened because I rolled a 1 on three successive battleshock tests and then immediately rolled 5s and 6s when determining how many Horrors to add to the unit.
We came up with our own narrative reason to explain why the battle ended after the scenario-mandated five-round limit, but it felt right. This was a story of Stormcast marching into hell and holding on just long enough for help to arrive at the last possible moment. This kind of cinematic play is why I enjoy the game, and every time we play we’re getting a better sense of who our armies are and what they’re fighting for.
A few steps in to my first proper batch of Heresy-era Thousand Sons I realised that I was feeling a little burned out on batch painting. Advisedly/unadvisedly I decided to start a couple of other projects at once and see what felt right, and this Balewind Vortex is the first thing I finished.
I like how it turned out. This is functionally a mount for my Gaunt Summoner: a swirling column of Space Magic (TM) that’ll hopefully make him a little more competitive. The colour transition on the Vortex itself is intended to transition neatly into the Summoner’s robes – a continuation of the ‘weird genie’ theme that I started thinking about when I originally painted him. I saw Aladdin at a very formative age, I guess?
I’m heading to my first Age of Sigmar event tomorrow, a 1000-point tournament in Bristol. I’ve got no illusions about winning all (or even any) of my games, but it was a good incentive to get a full force painted. I’ve got another box of Screamers and a Burning Chariot to add to this growing army in the next couple of weeks, but I’m going to be working on the Burning of Prospero models next.
Another set of models that were half-complete when Tom and I played our first AoS game, I finally had time to finish these off this week. Pretty happy with them: this is the biggest batch of models I’ve done and while I cut a few corners I picked a few details to do to the same standard that I’d hope for in a one-off. The bracers, gemstones, green fire and feathers help tie them into the Silver Tower models.
I was impressed by the models themselves, particularly considering that they’re an older set. The poses are really precarious and dynamic and they must have been a nightmare to assemble into ranks. Quite a few had balance problems, particularly the standard-bearer – that thing’s enormous. I ended up buying some 20mm metal washers and supergluing these to the underside of the bases, which worked well.
Next up: another box of these guys. I’m going to create some variety by mixing up a few of the accent colours: tongue, eyes, feathers, and the deep shading on their faces and hands. They’ll still be pink, though. Obviously.
I did most of the work on these a little while ago, ahead of my first Age of Sigmar game against Tom. They needed a little bit more love, however: first to fully highlight their tusks and spines, and then to base them properly. I considered leaving them on transparent flight stands, X-Wing style, but find that black stems and properly-based stands ties them into my army much better. I’ve also done the same for the Herald’s disc.
These are fun, quick models to paint. I’d like to do a little more work on them, likely when I’ve finished painting up what will eventually be a unit of six: I’d like to add an accent colour to the pink and purple screamers, but I’ll decide on what form that’ll take when the unit as a whole is finished.
It’s been a quiet week, hobby-wise, for a number of reasons. The next step is finishing off my first batch of Pink Horrors, which are a few hours from done. Then I’ve got another box of Pink Horrors to assemble and paint ahead of my first AoS tournament later in the month.
The start of a new project! Tom and I have split the Horus Heresy: Burning of Prospero box and we’re both painting our respective halves. He’s taken the Space Wolves/Custodes/Sisters of Silence, and I’m doing the Thousand Sons. Tzeentch stuff for the Tzeentch guy, etc etc.
This first Tactical Marine was a test run, and he’s not 100% finished – I still need to apply decals to his shoulderpads, which I’ll do once I’ve had a chance to practice with them. The key thing I wanted to do – and sadly the photos really don’t show this off – was to create a metallic red effect for his armour, as in the old Forge World Thousand Sons reference pictures. Burning of Prospero’s photography show the Sons painted a matte red, not dissimilar to Blood Angels. It looks good, but I really think that a metallic finish suits the Horus Heresy era, and particularly this chapter, better.
As such, this is the first miniature that I’ve painted almost entirely with washes and glazes. The entire model was basecoated gold with Retributor Armour spray, then washed with Reikland Fleshshade and drybrushed with a Liberator Gold highlight. Then I applied two thin coats of Vallejo Transparent Red to the armour, which gives it an Iron Man-style shine. I then shaded the armour first with Carroburg Crimson and then with Nuln Oil in the deep recesses. One great thing about this approach is the gold trim was effectively finished by the time I’d painted all the red, just needing some touch-ups and a highlight with Runefang Steel (which I also used to pick out chips and battle damage elsewhere on the model.)
I’m really happy with how it turned out – when enough of these models are done, I’ll ask Pip to take some proper photos. In the meantime, however, I’ve got a lot more Tzeentch demons to finish ahead of my first Age of Sigmar event later in the month. I’ll be returning to Horus Heresy stuff when that’s done.